Tilting at windmills for a better tomorrow.
Re: recent discussions about whether iTunes’ new streaming capabilities amount to webcasting (and whether royalties are thus due): SpyMac Music aggregates iTunes sharers under a single roof, which makes a feature Apple was careful to mark as private into a public service similar to live365. Great debate on the legality and implications in this MacSlash thread.
Very good guide / review comparing AAC and MP3 at various bitrates.
OK, so maybe it was silly of a student to think he could connect one of our HFS+ FireWire drives to a Windows machine w/1394 card. But the fact that Windows dealt with the incompatibility by overwriting the drive’s file allocation table, rendering the volume unusable on the Mac, is unconscionable.
A BBC article on the toxicity of semiconductor manufacture says that:
… weight for weight, the average computer chip does more harm to the environment than the car. … In order to produce one memory chip that weighs two grams, the total amount of materials and fossil fuels required to make that chip is 1,400 grams. That’s 700 times the weight of the original chip…
I knew semiconductor manufacturing was very toxic, but didn’t know it was this bad. However it would be much harder to account for the amount of resources computers save via:
– telecommuting
– digital photography (analog photos also extremely toxic)
– paperless office (hah! in theory*)
– what else?
Also it’s a red herring to only compare manufacture – try comparing the impact of daily use of cars and computers.
* I’m content not to print almost anything, but long ago accepted that many people do — I work with people who print out anything longer than a paragraph so they can “actually read it.”
birdhouse hosting is pleased to serve up the photography of Mimi Chakarova, at mclight.com.
When a friend recently mentioned Kite Aeriel Photography, I assumed she was talking about hang gliders with cameras, but turns out there’s a whole subculture of people who hang cameras from standard or specialized kites and shoot the earth from unusual heights and angles. I think what makes these images so stunning is that they offer a view you almost never get to see – higher than people and most buildings, but lower than than helicopters and airplanes, able to squeak into spaces aircraft can’t go, able to hover.
The equipment is cool too. Some very creative solutions – cheap cameras with rubber band mounting systems and Silly Putty timers…. other rigs cost thousands and are used for pro applications.
These 1944 bomb craters are surreal. Check one guy’s self portrait. KAP photogs even have their own magazine (talk about niche publishing).
Had to do a double-take just now to digest a car sitting at a stoplight — its wheels spinning though the car was not moving. But it wasn’t burning rubber — spokes merely rotating around the hub with the tire planted firmly on the ground. Some specially rigged, motorized hub magic. Really does a number on your senses. Is this “a thing?”
Update on a recent post on G4 energy draw : According to a fellow posting in a MacNN thread, the LinkSys probably consumes around 32 watts and my DSL modem around the same. The Studio Display draws 40W in use and 10 W asleep. So that’s between 60 and 95W delta between this rig and the Pentium we spot tested at the solar joint (I had mistakenly assumed that the modem and router would draw next to nothing). That means that if I could borrow the Watts Up again and hook up just the Mac, it would probably draw less power than the Pentium after all. All moot now – have decided not to move on alt.power before we buy a house.
For some reason I’ve had a wild hair for about two weeks to try my hand at making sushi. Tonight stopped off at Berkeley Bowl for a loaf of beer and ended up with a full pound (too much!) of sushi tuna, bamboo mat, 10 sheets of nori, white short-grain rice, wasabi powder, sesame seeds, imitation crab, avocado, and a couple bottles of my favorite Gekkeikan. Made California rolls with tuna – start with the basics.
Although fairly simple, surprised to find out how long it took to put everything together. The rice alone took an hour to go through all its stages (came out just right though!) Didn’t eat till late, but so worth it. I’m such a sucker for sushi. Want to do this more often. I’m able to cook, just don’t do it very often. Heart’s not usually in it. Was tonight though.
Lest there be any confusion, here is the list of ingredients on the back of the seaweed package:
Ingredients: Seaweed
Received an interesting invitation from O’Reilly — we the people may have lost the fight against corporate copyright interests with the defeat of Eldred, but that doesn’t stop anyone from voluntarily entering their works into the public domain before the 70+ years are up. O’Reilly is asking all of their authors to let the publisher place a “Founder’s Copyright” on books 14 years after they go out of print (the founders of this country originally set copyright term limits at 14 years). Because I signed and returned the contract amendment, my MP3 book, which is already out of print, will enter the public domain in 14 years rather than in 70.
Speaking of which, if you’ve been seeing Creative Commons badges on web sites and wondering what the hell, check this Flash movie featuring the iconified likenesses of Jack and Meg White.
Last night watched Burt Lancaster’s 1968 The Swimmer — Ned Merrill decides to “swim home” — visualizing a “necklace of azure blue swimming pools stretching across the county.” He jogs in a proto-Speedo through upper crust neighborhoods and forest land to the swimming pools of people he’s known or barely known through the decades of his life. He crashes their pool parties, trespasses with presumption into the backyards of their lives, as they become a mirror for the examination of his own life. As is slowly revealed, he is a boob, a loser of a man laboring under delusions of adequacy.
1968 must have been the year the “pull focus” technique was invented. Every other shot starts blurry then glides into focus, or vice versa. And every time he’s having a particularly insightful moment the camera zooms in on his perfect blue eyeballs, as refracted diamonds of light dance on the lens.
The conclusion is a “twist” that’s supposed to make you leave the theater feeling blown away, but today just seems absurdly, wonderfully ham-fisted.
(Click)
