More Zorn

Roger says the Colbert on Zorn piece is his second-favorite Zorn item of all time. First? SF Weekly:

On May 15, 1997, out-there experimental saxophonist John Zorn was in the middle of a set at New York City jazz spot the Knitting Factory when he abruptly stopped. He proceeded to chew out a group of patrons in the balcony who, in a fit of impropriety, were talking loudly over his skronk-jazz stylings. “You up there,” he snapped angrily. “Shut the f*** up and listen to the music.” The chatterboxes at fault? Czech Republic President Vaclav Havel and his wife Dagmar, Secretary of State Madeleine Albright, Lou Reed, and Reed’s girlfriend Laurie Anderson.

Nevermind Zorn for a minute. What are Havel, Albright, Reed and Anderson doing in a balcony together? Picturing this gives me hope for the world (though it was nearly a decade ago).

Music: Miriam Makeba :: Touré Barika

Neuron Galaxy

Braincell-Universe

I’ve always been fascinated by the way branching systems reveal similar structures and layouts throughout the universe. An x-ray of your lungs looks much like a tree and its roots, hanging upside down. A systems of bifurcating creeks, streams, and rivers looks a lot like a social network. I’ve heard the term “chreodic theory” applied to the study of bifurcating systems, though Wikipedia doesn’t have much on the topic, and points out that the study is more descriptive than predictive – interesting but not terribly useful. This image above shows a brain cell on the left, a few micrometers wide. On the right, a simulated view of how the universe grew and evolved. Full-size view.

Music: Matching Mole :: Instant Kitten

Ukes for Troops

Uke Players Ramadi Iraq Best sounds to come out of Iraq in a long time: Ukulele-playing Marines. Thanks to world-wide donations to Uke Jackson’s Ukes for Troops campaign, 15 ukuleles have already been delivered to marine bands stationed overseas. “In little corners all across Fallujah and Habbaniyah, Marines are plucking the sing-song strains of the South Pacific.”

“When I first opened the box, I asked myself, ‘What are these things doing in Iraq?’” said Gunnery Sgt. Jay D. Dalberg, a euphonium and electric bass player … “These are usually related to tropical beaches like Hawaii, not Fallujah, Iraq.”

George Harrison writes in the intro to one of my uke songbooks: “Some are made of wood and some are made out of armadillos – everyone I know who plays one is crackers.”

Music: The Beach Boys :: I Just Wasn’t Made For These Times

Meat Water

As if bottled water for humans wasn’t already one of the most successful hoaxes in the history of capitalism, there’s now apparently a cottage industry in selling bottled water for dogs (and cats).

Mark Morford, Dog Water, Tastes Like Chicken:

Yes, it is meat-scented water. Even your dog is right now going, WTF? Like Britney Spears to new moms, like Dubya to presidential integrity, like Hot Pockets to actual food, they make all sensible dog lovers look bad. It’s also just sort of embarrassingly unnecessary. As if quenching his sheer dumb animal thirst at the garden hose wasn’t enough to make your dog blissfully happy. As if a world teeming with roughly 1 billion unclassifiable odors wasn’t already a wondrous canine olfactory buffet. Did you know that dogs have over 200 million scent cells? And that humans have a mere 5 million? The last thing dogs need is for their water to smell like synthetic cow. I’m just guessing.

Music: Tom Zé :: Sonhar

Future Be Warned

Since we apparently have decided not to dump nuclear waste into volcanoes, we’re busy stuffing it into the earth. Thousands of tons of radioactive sludge, equipment, tools, and chemicals we just don’t know what else to do with are being interred in permanent burial sites such as the one in the New Mexico desert. The stuff may be safe for now, but some of this stuff has a half-life of 10,000 years. How do we ensure that future generations will know the area is dangerous? Even if all intelligent life is wiped out and humanity gets rebooted, so we can’t assume any kind of evolved linguistic comprehension? Wired:

The waste site will be surrounded by a four-mile outer fence of dozens of 25-foot, 20-ton granite markers engraved with multi-lingual and pictographic warnings. Inside that perimeter will be a massive earthen berm 33 feet high, forming a rectangle matching the footprint of the underground site. The berm will be implanted with magnets and radar reflectors to make it obvious that it’s not a natural formation. A structure in the center of the space and two subterranean rooms will hold detailed information on the facility, and hundreds of super-hard disks printed with pictographic danger signs will be scattered throughout its 120 acres.

Music: Herb “Ohta-San” Ohta :: Little Grass Shack

No

In the early 80s, some friends and I became obsessed with cartoon character Nancy and her pal Sluggo. Or, more specifically, obsessed with the zen simplicity (or was it idiocy? no, it was definitely sublime genius) of artist Ernie Bushmiller. Buddhism and psychedelia have always bubbled as background interests. These days I’m into ukulele.

Glyph Jockey created this video based on what Mark Frauenfelder calls the the greatest Nancy panel ever drawn (the posting of which inspired one feller to get a tatoo of the same panel).

Gabby Pahinui soundtrack, words by Alan Watts. This one is for you, rinchen.

Infiltration

A subculture about which I knew nothing until today: Infiltration, aka Urban Exploration — a hobby/practice all about getting into places where people aren’t supposed to go (without getting caught). There are beautiful spaces all around us that we never get to see, because we’ve been successfully trained to obey the language of fences and signs. Urban Explorers even have their own ‘zine (though most of the scene has moved online). Abandoned buildings, ferry boat engine rooms, old factories… Some places are totally unguarded, others heavily so (which is half the fun). Urban Explorers take care not to litter, get hurt, or absorb toxins. It’s all about the hunt (and the photosthese are lovely).

Music: Cibelle :: Esplendor

Eno to Score Spore

Spore1 Follow-up to Eno, Wright, Generative Systems: Eno later described the session as “Two strangers becoming friends in front of 900 people.” Two guys in completely different fields working on exactly the same thing — building generative systems from cellular automata. Numberless:

[Each of them] use the idea of cellular automata as a basis for their creations. Cellular automata … refers to a simple initial rule-set that is capable of generating very complex and disparate results.

Shortly after the session, Wright announced that Eno would be creating the soundtrack to the upcoming game Spore. I’m not a gamer, but I’ve been looking forward to this game (due in 2007) for a long time now.

Wikipedia: Spore is, at first glance, a “teleological evolution” game: the player molds and guides a species across many generations, growing it from a single-celled organism into a more complex animal, until the species becomes intelligent. At this point the player begins molding and guiding this species’ society, progressing towards a spacefaring civilization.

Some of the screenshots and video floating around the internet are amazing, but apparently don’t do the actual gameplay justice. The generative link between Eno and Wright could result in some great audio. Most game music is set on endless repeat, but Eno’s audio will be sui generis, and will never repeat. Wright:

“Science is all about compressing reality to minimal rule sets, but generative creation goes the opposite direction. You look for a combination of the fewest rules that can generate a whole complex world which will always surprise you, yet within a framework that stays recognizable…..It’s not engineering and design, so much as it is gardening. You plant seeds.”

Music: Pere Ubu :: A Day Such As This

Eno, Wright, Generative Systems

Posted back in 2002 about the Long Now Foundation – created by Stewart Brand to think about the very distant future of humanity. Their flagship project is the construction of a clock to last 10,000 years, which will chime once per century.

The foundation recently hosted a conversation between musician Brian Eno and game designer Will Wright (The Sims, Spore). Haven’t heard the whole thing yet, but the first half hour was fascinating — Eno and Wright mostly discussing generative systems — complexity arising from simple rules. Eno reminisces about the first time he heard Steve Reich perform a pair of tape loops — an inflection point in Eno’s career.

Reich took two identical 1.8-second audio segments and created identical loops out of them, strung them through two decks, and played one slightly slower than the other. Gradually the two segments went out of phase with one another, giving rise to complex and beautiful relationships. The pieces come back into sync 30 minutes later, and the piece ends. Objective correlative: Near the end of the work day, I watched sadly as the J-School hauled its last remaining reel-to-reel tape decks out to the electronic recycling bin, their usefulness behind them.

Wright talks about the Game of Life as a generative system giving rise to complex relationships from a base of a few simple rules, correlates to the Chinese game of Go, which also has very few rules but tremendous complexity. Eno demonstrates a version of “Life” that generates music from the ongoing relationships in the same game.

The conversation is downloadable as MP3 or Ogg/Vorbis, and is accesible through the SALT podcast.

Surfing around the longnow site this morning, arrived back at the homepage to find the face of my boss (Orville Schell) gazing back at me – no escape!

Eno has released a CD, Bell Studies for the Clock of the Long Now, which I haven’t yet heard. Still listening to Eno almost nightly, putting Miles to bed. It’s almost impossible to burn out on them.

Music: Gilgamesh :: Extract