Like an Asteroid Hitting the Earth

Oops, Dave Barry’s finger slipped and he ended up accidentally publishing the phone number of the American Telemarketers Association. Hope that didn’t inconvenience anyone there who, I dunno, maybe didn’t want to be called?

Oops, looks like the ATA got a bunch of unwanted phone calls. Thanks Jeff C.

My new favorite anti-telemarketer tactic: Feign interest and get caller hooked, then ask them to please hold. Put phone down and walk away. Waste someone’s time? Never!

Music: Pablo Casals :: Suite No. 5 in C minor

Jerry Mander’s Aphorisms

Rinchen forwards Jerry Mander’s Aphorisms, a set of succinct provocations engaged against technology worship.

0. Since most of what we are told about new technology comes from its proponents, be deeply skeptical of all claims.

and:

8. Do not accept the homily that “once the genie is out of the bottle, you cannot put it back”, or that rejecting technology is impossible. Such attitudes induce passivity and confirm victimization.

Bruce Sterling writes for MIT’s Enterprise Technology Review, Ten Technologies That Deserve to Die. Some items on his list, such as the internal combustion engine and land mines, are not surprising. His inclusion of prisons and DVDs on the list is more provocative.

Music: Talking Heads :: I Zimbra

Amy in the Fogg

Congratulations to Amy, who was just contacted by Harvard’s Fogg Museum — they want to purchase one of her murals for their permanent collection, and the curator wants another one for her private collection. Between this and Peter Palmquist bequeathing his collection to Yale, this will put Amy’s photos in both Harvard and Yale’s permanent collections. I’m so proud of her!

Music: Brian Eno :: A Secret Life

Classical Gas

Feeling under the weather, channel surfing. Home Shopping Channel is selling electric guitars and amps, showing you how easy it is to play “just like those 70s rockers,” and they bring in a master guitarist to prove it. Dude jabs out a few licks from Hall and Oates, the guitar/amp combos fly off the shelves at $179.99. Then they bring out a classical guitar. They know they can’t convince the viewer how easy it would be to pluck Segovia, so try another tack:

“Ed, this is the kind of guitar that’s so beautiful you buy it for its looks alone. Even if you can’t play, it will look great sitting on a rack in a corner of your living room.”

Kid you not.

Music: Rufus Wainwright :: Baby

Metrosexual

Less than a week ago, baald first introduced the term metrosexual on birdhouse (“guy who is into fashion, interior design, cooking, but is sexshully straight).” I thought it was funny, probably the result of some joke floating around his office.

Then today in Salon, Sheerly Avni declares death to all metrosexuals! (They cook better, dress better and decorate better than we do.”) As it turns out, Salon introduced the term in July 2002, Meet the Metrosexual.

The typical metrosexual is a young man with money to spend, living in or within easy reach of a metropolis — because that’s where all the best shops, clubs, gyms and hairdressers are.

But as is eventually revealed, the term originated in 1994. So the interesting bit is not that the word has suddenly renewed currency as it is that I am completely and totally out of it, not having heard it blurbled until last week.

Not wanting to feel like a hodad, I scan my life for signs of metrosexuality. I’m a cargo shorts-wearing webmaster. I trudge from baby/wife to webmaster job and back again, day after day, squeeze in some email in the wee hours. Not much energy left for hair stylists or gymnasiums. But I did catch myself recently bemoaning the fact that Barney’s serves American mustard, Dijon mustard, and Grey Poupon, but no stone ground mustard. How can a gourmet hamburger joint not have stone ground mustard? It makes no sense. Poupon too tart, Dijon too sweet, American too plain. Then I find that we are running out of Stone Ground at home, freak out, ask Amy to pick some up at Trader Joe’s, she reports that TJ’s doesn’t stock stone ground!

Am I righteous here, or merely displaying metrosexual tendencies?

Describe the metrosexual in your life.

Music: Beth Orton :: Galaxy Of Emptiness

Through the Cracks

Ikea phone guy: The “RATIONELLE” replacement shelves you ordered have arrived. You have five days to pick them up.

[We were on vacation, missed the deadline.]

Me: I’m here to pick up my shelves. Here’s the receipt.

Ikea young buck: Your five days have passed. The shelves have been returned to stock. I can charge you a restocking fee, sell you a new set (the same set, but now taken from the freshly replenished stock), and you can go to Customer Service to request a refund for the “old” ones you paid for but never received.

Me: That’s the most absurd thing I’ve ever heard of.

Ikea young buck: I’m sorry sir.

[I go downstairs, pay for the “new” shelves, wait 15 minutes for them to be retrieved from stock. Go to Customer Service, take a number, let the ceiling-mounted hanging TVs squirt toxic CNN juice all over me. Notice how the wall-mounted buckets meant to hold free replacement dowels, pins, and Ikea-original smart fasteners are all empty. Kill time with a corn dog and box of lingonberry juice. One hour passes, no lie. Now I’m officially late to meet a client, but don’t dare give up my place in line. I’ve worked too hard for this, and a whole $25 is at stake. My number comes up.]

Ikea helpful lady: He said what? Let me check. No, your shelves haven’t been returned to stock. They’re ready and waiting for you. We’re sorry for the inconvenience. Here’s your refund.

And that’s how a 10-minute Ikea visit melts into 90 minutes. This is how we wade through phone trees trying to find clueful employees, whittle away the time we don’t have to whittle at the hands of incompetent high-school students, pay out of pocket to return defective items, tear out hair because of insane policies, slip through cracks not accounted for by automated systems.

Our lives as a series of frustrating encounters, connected by a fabric of retardation.

Music: Led Zeppelin :: What Is And What Should Never Be

Codified Homophobia

A recent poll of 1,028 adults shows more than half favoring a possible law banning gay marriage. What “land of the free” were we talking about again?

I consider our codified, institutionalized intolerance of gay marriage to be an abuse of human rights. Not in the same league as torture or imprisonment for political beliefs perhaps, but we as a nation do punish people for loving whom they wish to love. Imposed morality for its own sake is imposed abuse. We rob others of their pursuit of happiness. Opposition to gay marriage is un-American.

Often in political or religious disputes, I can see the other side of the issue while defending my own, but try as I might, I cannot understand why anyone would oppose gay marriage. It’s just baffling to me. I also have trouble understanding how people can embrace religions that oppose homosexuality. It’s so plainly inhumane. If I ever choose to believe in a god, you can bet it won’t be such a blatantly inhumane god.

The AP had their poll. Here’s my own.

Is opposition to gay marriage an abuse of basic human rights?

View Results

Music: Ernest and Hattie Stoneman :: The Mountaineer’s Courtship

American Splendor

Amy and Miles staying on in MN for another week, leaving me rare chance to see movies etc. Went with Chris to American Splendor — the movie interpretation of the underground comic of the same name. Paul Giametti as Harvey Pekar the perfect brilliant sadsack. Movie oscillates b/w dramatic recreation of the comic and conversation with Pekar himself. Layered, just like American Splendor itself was drawn by alternating artists.

As much as the movie deals with depression sans Hollywood, it’s also very funny, and in a peculiar way, delightful. A string of strange, simple poignancies. Pekar looks at self in mirror, mutters “Now there’s a reliable disappointment.” Also loved the scene of his neurotic wife in the bathroom mistaking WD-40 for air freshener (am I alone in thinking that WD-40 smells great?)

Music: Allen Toussaint :: Night People

Airplane Reading

Spiels of Minuteman — Notes by Mike Watt on the early days of The Minutemen, lyrics, essays by Richard Meltzer (Blue Oyster Cult, rock critic), Joe Carducci (who ran SST from ’82 to ’86), Thurston Moore (Sonic Youth). Art by Raymond Pettibone. It’s hard to convey what Watt and the Minutemen mean to me. Some music from one’s formative years seems corny two decades later, other stuff just keeps sinking in deeper. Minutemen, and to a lesser extent, Firehose and other Watt side projects, are under my skin like benevolent chiggers.

fake contest

i'm making my case against a stack of comics
here comes the line...
"i'm loaded with rocket fuel!"

industry, industry we're tools for
the industry -- your clothes in
their laundry bleached of identity

you lie there naked
i lie here naked
both on the pavement why
are we different?

Also: Feeling rusty on philosophy roots from college, brought along Richard Osborne’s Philosophy for Beginners. Very succinct, palatable but dense rerun of any college history of philosophy class. Got through the Greeks and Romans, heading into the Arabs. Brother-in-law Steve pointed out that this book casts contributions of Christianity to philosophy in a fairly negative light. True, it’s fairly harsh on Christianity’s harsh history, but I’m not so sure it’s not just being accurate (Steve getting a PhD at the Talbot School of Theology).

Saturday Morning — the compilation of Saturday morning cartoon music covered by contemp. bands, e.g. Sublime’s cover of “Hong Kong Phooey” and Liz Phair’s version of the banana split’s Tra La La song — is a total disappointing bore and I’m sorry I bought it. Should have known better. Not a single track on the disc is as good as the original.

Music: Face To Face :: I’m Popeye The Sailor Man

Notes on Matthew’s Benefit Concert

Hard to imagine a life better eulogized than Matthew’s was at tonight’s Matthew Sperry benefit concert at the Victoria Theater. A love vibe that filled the house top to bottom (500 seats, sold out and then some).

Orchesperry assembled just for the occasion — ~15 creative improvisers flying low under the outside umbrella. Pauline Oliveros Quartet with accordion, koto, shakuhachi, trombone — Oliveros one of the great American avant-garde composers, now in her 70s and keeps going deeper. Beautiful, meandering, meditative piece. Red Hot Chachkas with a rousing set of Jewish klezmer music. Matthew played with them too – even played bass at his own wedding with them. Very funny Yiddish song: How the Czar Drinks Tea.

Tom Waits appeared solo, on guitar first, then piano, played for around 45 minutes, mixed old songs and new, heart totally in it, genuine, loving, funny even when stumbling on older lyrics. Cast/band from Hedwig played a reunion — not the full show, but most of the songs from the show. Hedwig composer/lyricist Stephen Trask flew out from NY, as did musicians from the NY production. Strange to see the band out of costume and out of context – must have seemed really weird for those who never saw the show itself.

Matthew had played with every musician/group on stage tonight – his playing was so incredibly diverse. Never academic, always humble. No one there had ever seen all of Matthew’s musical involvements laid out all at once, in spectral contrast like that before.

By midnight, a wonderful but kind of unwanted feeling of closure. This was the final big benefit/memorial. Time for all of us to move on, and this night kind of makes it possible to do that, but I think we all sort of resist that feeling too — many of us not yet ready to “move on,” although we are and we must.

Waits sang You’re Innocent When You Dream:

It’s such a sad old feeling
the fields are soft and green
it’s memories that I’m stelaing
but you’re innocent when you dream
when you dream
you’re innocent when you dream

running through the graveyard
we laughed my friends and I
we swore we’d be together
until the day we died
until the day we died

Music: Can :: Full Moon On The Highway