Hedwig and the Angry Inch

“Ladies and gentlemen, whether you like it or not … Hedwig!” Had been wanting to see this show ever since friend Matthew got a gig as the bassist and had to cut his beautiful long locks to look like a ghoulish glam rocker and paint his fingernails black and come home every night with remnants of thick black eyeliner still on. With Amy and Miles out of town, finally got my chance and went for it. This is Rocky Horror for a generation 20 years later. Rock and roll transgender glam rock Plato’s Symposium for people who watched the Berlin wall come down on VH1. Totally outrageous funny wonderful. And did I mention rocking? Kevin Cahoon is explosive. The movie is good too.

Music: David Fiuczynski / John Medeski :: Lillies That Fester

Tanjias

Dinner at Tanjias with friends for Roger’s 41st. Nestled in on low leather hassocks in a tented room, low light, ancient and modern Moroccan music, amazing belly dancers (as in amazing), everything eaten with hands, no utensils. Tea that tasted like we had never had tea before. Hard to believe it’s already been a year since the debut (and penultimate performance) of Los Platanos Machos Quattros on Woj’s 40th.

Music: DJ Vadim :: Headz Still Ain’t Ready

The Superbowl Is Opaque

Hoping to enjoy the game with the guys this year, I read the rules in advance and developed what I thought was a pretty good working knowledge of football before the game started. It didn’t help. Understanding in the abstract what was supposed to be going on did not help to discern where the ball was or who was in possession of the play at any given moment. All I can ever see is a blooming, buzzing confusion of bodies. I can’t tell who has the ball until the play has ended.

After five years of trying (granted, not trying too hard), I have come to the conclusion that the excitement of football is permanently opaque to anyone who didn’t grow up with it. I was as confused at the end of the game as I was at the beginning, despite the bottomless patience of friends. Still, it’s a good opportunity to eat hot dogs and guac and enjoy good company. If I could only grok why it is they whoot! when they do. I’d just love to be able to relate to my father-in-law on this count.

Music: Caetano Veloso :: O Estrangeiro (The Stranger)

Tweney and Doctorow on the Magic Kingdom

Dylan Tweney has posted an excellent interview with Cory Doctorow on the release of “Down and Out in the Magic Kingdom.” His thoughts on “the tragedy of the commons” and how the situation is reversed in the digital age are especially interesting.

If it’s valuable, it needs to be managed, because the supply of it will dwindle. You need to avert the tragedy of the commons [the notion that self-interested individuals, such as sheepherders, will always use as much of a common resource as possible, such as a grassy pasture, until that resource is totally depleted]. Today, with things that can be represented digitally, we have the opposite. In the Napster universe, everyone who downloads a file makes a copy of it available. This isn’t a tragedy of the commons, this is a commons where the sheep s*** grass — where the more you graze, the more commons you get.

He goes on:

The other side of it is this notion that you never really run out of scarcity. There are always limits on your time and attention, there are only so many people who can fit in a restaurant, only so many people who can converse at once. When you are beset on all sides by entertainment, figuring out which bits are worthwhile requires a level of attention that quickly burns all your idle cycles. When everyone watched Jackie Gleason on Thursdays at 9:30, it was a lot easier — television watching required a lot less effort than whipping out your TiVo and figuring out which shows you want to prerecord.

Music: Talking Heads :: I Zimbra

Dogtown and Z-Boys

Just finished watching Dogtown and Z-Boys, a documentary about the invention of modern skateboarding in Santa Monica in the 1970s. I didn’t grow up in LA, but did surf and skate the 70s away, worked in a surf shop throughout my teens, and spent a lot of time reading Surfer and Skateboarder magazines (and later Thrasher). The scene was so different than it is now, and that’s a hard thing to communicate – the zen and the style and the pure inventiveness of everything that was going on in the skate world at that time. Skating is more radical today, but the pioneering part of it is mostly gone. This movie communicates the vibe of the time period so well, it’s eerie. It’s a look at a part of the 70s that never really gets talked about, but that pretty much was my life. Amy didn’t skate a lick, but totally loved it. You just want to grow your hair out, cut an oak deck out of a desk drawer, glom on some urethane Cadillac wheels, and drain a pool. The soundtrack is absolutely righteous.

Music: Gong :: Flying teapot

Peter Palmquist, Goodbye

Amy received some sad news today – photographic historian and friend Peter Palmquist was killed by a hit-and-run driver in Emeryville today. Probably never knew what hit him.

Palmquist had created the world’s largest collection of photographs of early California, and had catalogued and described them meticulously. He was in the process of turning his immense collection over to Yale University. We visited Palmquist in his home in Arcata last July, and spent days going through his amazing archives – he had built six libraries on his property just to house the collection.

He also sponsored Amy’s book of photographs, Surrogate, simply because he believed in her and her work. He chose one unknown artist per year to sponsor, and asked nothing in return.

Amy has had a difficult evening. So many true and poignant cliche’s here, about the way the people who contribute the most to the world are taken from us before their time, about the need to carpe diem because tomorrow you may be hit by a bus, about the tenuousness of life, about the need to tell people whom you appreciate how much you appreciate them…

Palmquist is one of those people most will never hear of but who made their lives count, and who enriches the lives of generations to come by his contributions.

Music: The Last Poets :: True Blues

Just Pretending

Quite a bit of interesting discussion tagged onto the end of my Unreal Tournament post. Without trying further to identify ambiguous forces like “the cause of violence in America” (note that I never said “the cause” but only implied that it was undoubtedly a cause), I want to ask an honest question of everyone who thinks it’s acceptable for children to play violent video games:

What’s worse: Rape or murder?

If you think murder is worse and you let your kids play games that involve pretending to murder humans or humanoids by the hundreds, then surely you would have no objection to a video game where your character ran around raping women or girls, right?

Those of you who have posted here in defense of murder games: I would very much like to hear your defense of rape games, and to learn why you intend to let your children play them.

Music: King Crimson :: Larks’ Tongues In Aspic, Part Two

Unreal Tournament

Stopped by the gaming section at MacWorld today and stumbled on an Unreal Tournament tournament. Out of curiosity, decided to stay and watch for a while. If you’re not familiar with this game, it’s all about shooting anything that moves with high-powered weapons, except that you’re not killing mere computer-generated characters — you shoot at the other people in the room with you, who are playing over the network. I was speechless. All I can say is that anyone who wonders why we have Columbine-style disasters today has their head in the sand. Base and degrading violence aside, the motion was so herky jerky and clumsy it seemed like game technology has barely improved in the ten or so years since I last played (Descent?). Very disorienting and un-fun looking. Hard to figure out what the appeal is, or how something like that can be called a “game.”

Music: Sid Vicious :: My Way

All The Way

The other day I spied a young buck outside The Berkeley Bowl with his pants around his ankles, waddling in boxers, and realized that the detestable fashion of wearing trousers pulled half-way down the butt had finally reached its inevitable conclusion. I’m actually surprised it took this long to happen.

Music: Edith Piaf :: Polichinelle

Survivor Lessons

You’d think we would have had enough of Survivor after five seasons, but it’s a guilty pleasure. Once again, I come away from the season with two core observations:

1) Everyone (not virtually everyone, but everyone) looks better with a few days stubble, no makeup, a natural tan, their hair unkempt, a chilled out ‘tude, and no shoes on their feet than they do when they get back to the studio for the follow-up, when you see them in their hair-dos and Sunday-Go-To-Meetings.

2) Democracy is the ultimate leveling mechanism, shaving off both the weak at the bottom and the strong at the top. Trimming out the strong personalities, the good fighters, the smart puzzlers. The winner is always nice but not too nice, gentle but not too gentle, helpful but not too helpful, etc. The winner is, almost by definition, above average, not exceptional. Survivor is a microcosm of our own political system.

Music: James Chance & The Contortions :: I Danced With A Zombie