This version of tUnE-yArDs “Hatari” doesn’t get nearly enough love. Better than the version recorded on BiRd-BraInS, IMO. Just the right mix of low-tech avante and sophisticated. Merril Garbus, as always, a force of nature.
My son and I playing ping-pong against the woefully out-of-tune strings of my grandmother’s 1920s zither.
The record collector’s eternal dilemma: Is the goal of collecting to capture every memorable moment in music, to become a librarian of excellent sessions, to sweep through the entire span of recording history leaving nothing worthwhile behind, even if it means an immense collection one can never possibly hear, given the realities of allotted listening time?
Or is the goal to relentlessly cull and distill and hand-pick the very best of the best, so that the collection represents your absolute true favorites, with no fat, no waste, no extra trimmings. Just pure “I love this the most” music and nothing else? The result there is that you are forced to leave so much great much great music on the cutting room floor, but end up with a collection you can realistically wade through given a few hours of listening per day?
I have swung both ways on this one.
“It’s like the Harry Smith Anthology of American Folk Music for Get Smart fans”.
New at Stuck Between Stations: The eerie phenomenon of spy radio transmissions on “number stations,” using one-time pad crypto.
Kind of connects in a neat way to the whole “stuck between stations” theme.
Also: New Audio Playlist feature built into WordPress 3.9 – it’s now effortless to embed MP3 audio, either as single tracks or playlists. Worked great.
Remember these? If you ever worked in a restaurant or hotel in the 70s or 80s you probably had one on the wall in a closet or back room somewhere. Now I’m on the lookout to find one I can wire up to the living room dimmer switch. If you know where to find one, let me know! (eBay is turning up squat).
New at Stuck Between Stations, my review of recent amazing experience watching Kraftwerk on their Live 3D tour:
Soon after their very early Can-like Krautrock years, Kraftwerk began to develop and refine a hardcore man-machine aesthetic, imagining themselves as cyborg musicians, as much enslaved by technology as liberated by it. The amazing thing is that the band-machine has been able to sustain itself on that track. Almost any other group would have gone on to other things after the vein ran cold, but Kraftwerk continue to tap the mineshaft of digitalized culture as deep as it wants to go.
If you’re not using Smart Playlists in iTunes, you should be. Whether you want to create simple query-backed playlists like “1920s Jazz” or “Funk and Soul”, Smart Playlists give you the ability to treat your iTunes music collection like an actual database. The beauty part is that Smart Playlists update themselves in real time as conditions change in your iTunes database.
A common/favorite Smart Playlist is the invaluable “Unplayed” list which lets you make sure you’ve heard everything in your collection at least once. To create an Unplayed list, just use the criteria “Plays is less than 1”:
In my case, I’m also excluding all Podcasts and Voice Memos – I’m interested in Music here.
But it gets more interesting (and more fun) than that.
Continue reading “How To Create iTunes Smart Playlists with Implied Criteria”
As I go through this massive CD and LP digitization project, I don’t want to add cover art to any album that’s smaller than 800px. For those albums that don’t have their cover art retrieved automatically, I search Google images for it.
Incredibly frustrated that it’s so rare to find artwork at a reasonable resolution. The vast majority is at 400px or smaller, and I consider myself lucky to find anything at even 640px. Which forces me to put those discs into the “scan” pile, where I’ll generate 1000px album covers (and yes, I’ll share them with the intertubes later).
The question is, why?
Surely, everyone out there scanning or photographing LP or CD art isn’t scanning the originals that small. And hopefully they’re not adding them to their collections or putting them on web sites that small. Is there some kind of blocking going on that I should know about? This seems crazy.
Nearing the end of this massive, multi-person music digitization process, starting to return vast collections of amazing music to friends, and came across my own boxes of “discards.” Painful to let go, but it’s only 10% of the collection, and I have to be honest that I haven’t stuck a CD in a slot for a very long time and probably never will again.
Lugged 400 discs down to Downhome Music, knowing that they’d appreciate a lot of them. Bummed to learn that with everyone going or having gone all-digital, CD resale value is down to $1 or $1.50/disc, and some stores now doing closer to $0.50/disc.
The buyer waved his arm at the inside of the store, which was empty on a Sunday afternoon. “This will all be gone soon” he said. There is no market left for used CDs, so they have to sell them dirt cheap, which means they can no longer pay for them.
Digitization has all but killed the newspaper. All but killed the bookstore. All but killed the record store. I blame Obama the job killer.
Was half-tempted to refuse and hold onto them for nostalgia’s sake, but realism got the better of me and I walked out with the money (didn’t even take trade-in value like I used to).
Music has become a non-physical phenomenon. That’s completely normal for the younger generations, completely weird for us oldsters. I embrace the convenience but curse the side effects, even as I’m part of the problem.
New at Stuck Between Stations, my mini-review of the fantastic documentary about the life of Detroit troubador Rodriguez, Searching for Sugar Man.
Meanwhile, a couple bootleg copies of his records somehow made it to South Africa, where his music became the soundtrack for the young adult revolution against apartheid. “Cold Fact” and “Coming From Reality” became record collection staples of pretty much every South African. “If someone had Beatles and Stones records, they had the Rodriguez records too.” In fact, most South Africans will tell you today that Rodriguez was bigger than the Stones in their country.