Aphex Twin embedded his own likeness in the waveformss of his song Windowlicker. As I understand it, the process works like this: Use metasynth to create sound waves from an image – in this case Aphex’ own face. When the music is played back and viewed with a spectrographic visualizer, the process is essentially reversed, which reveals the image in the sound waves. Kind of like steganography, but not. Does not work with MP3s, since the compression algorithm destroys the image. The track came out in ’99 but no one found the embedded image until now.
Watched our friend Matthew Sperry playing with Tom Waits on Letterman last night. Thought he might be hidden in the background or something, but he was right up close, on the left, very visible, exciting. Hope this turns into some kind of major career break for Matthew. If you watched the video I posted a few months ago – the birthday song we wrote for Roger’s 40th – Matthew wrote the music and I wrote the words for that.
Adamation just sent me a $75 gift certificate to Tower, which was really cool of them. Spent it yesterday on:
Orchestra Baobab – Pirates Choice (double CD)
Tom Waits – Blood Money
Tom Waits – Alice
Elvis Costello – When I Was Cruel
Pirates is considered to be the best Baobab ever laid down, in ’82. So loose and rubbery and easy soulful organic funk of the earth. Amazing. Listening to Wait’s Alice now – all throaty, pensive, half-drunken s – a return to the tempos of Nighthawks or Closing Time, but with the messed up xylophone percussion styles of Swordfish Trombones.
If you aren’t left speechless by this, you don’t love your country enough. Friend Matthew writes:
This clip shows why Ashcroft lost a senatorial race against a dead man.
I didn’t watch ’em, but was gratified to read the piece in Newsweek about the general growing consensus that A) the quality of available music (especially pop music) is at an all-time low, and B) the music industry is getting kicked on its ass. I’ve been moaning about #A for a very long time and it’s nice to see a pub like Newsweek come out and say it rather than pretending. I’d like to think that if lots of money is siphoned out of the music industry, it can only have a positive effect (music may become a meritocracy again, or at least something resembling it … people voting with their downloads rather than gagging on the spoon-fed banana brulee’).
And to have all these judges give awards to the O Brother soundtrack … was just too sweet for words. I had long since given up hope that the Grammys would ever reward talent again.
Poetic justice on me that Engelbert Humperdinck should be rolling through the itunes queue as I write this ;)
Over the past couple of weeks I’ve been practicing guitar and playing a couple of times a week with a group of friends, preparing a song for our friend Roger’s surprise 40th birthday party. The party was last night and totally rocked. Amazing food, big circle of good friends, hooch to spare…
We played the song for him around halfway through the evening and he was floored (the intended effect). Amy got the whole thing on tape and I put up a low-fi version on the infernal interweb.
What a great evening. No matter how hard it is to find a place to live in the Bay Area, it would be almost impossible for us to leave our friends here. Just wish Will and Sage lived out here rather than NY.
Christmas shopping with Amy yesterday.
She: “Why don’t we get a Jackson Five record?”
Me: “Yeah, why the hell not?”
It was such a good call. We both grew up with all those original J5 songs on the car radio. I had forgotten just how good this stuff is. Great wake up music. Great pop songs.
I feel so sorry for Michael Jackson, to have done all his best work before the age of 10.
Last week I mentioned that I had just been turned on to Betty Davis, ex-wife of Miles Davis. Betty did a couple records of this incredible skronk/funk/badass deep soul that almost no one has ever heard. Doesn’t really fall on the jazz side, though one can imagine it going really well with some of Mile’s early 70s stuff (On the Corner, Agharta, etc.) Apparently Miles and Betty actually did do a recording together at some point, but Miles destroyed it in a fit of rage after one of their frequent arguments.
Anyway, I promised to put some up for folks to get a taste. I normally don’t do the MP3 trading thing, but in this case it’s rare stuff that people aren’t likely to go out and hear on their own, and it’s just a couple of tracks… so I’ll leave this up for a few days. An exception to the rule.
“He was a BIG freak!”
Amy has this old boyfriend, David, who has spent the last decade riding the rails and sleeping under bridges with hobos and tramps. He travels with a MiniDV camera and has shot 200 hours of footage of tramps in their natural habitat. He has spent enough time with them that he’s gained their trust and they’ve come to not even notice the camera, and are completely comfortable around him. The footage he has is amazing. He’s now in the process of editing this footage into a documentary called “Long Gone,” and has 15 indie film companies interested in the project. Tom Waits has given them the rights to use a bunch of unpublished train-related songs. Fantastic project. David passed through town yesterday and spent the day and night with us. Heard so many great stories… such a rich subject to work on. And so few film makers would have the kind of dedication and willingness to completely live that life that David has had. Awesome.
Went with David and Amy yesterday to SF MOMA, came home and ate pad thai and watched some of his rough cuts.
The latest issue of Fast ‘n’ Bulbuous music reviews came out today. Uncle Fester’s tastes and opinions on music are more consistently similar to my own than any reviewer I know.
Went with to SF to an “artisan audio” a.k.a. “dark lantern” demo and lecture/get-together. This is a branch of high-end audio that has different assumptions and expectations from audio equipment. Rather than focus on benchmarks and graphs, and terms like “accuracy,” it’s all about music and musicality. The equipment they use is often different – they create low-wattage amplifiers with single-ended triode tubes, paired with highly efficient speakers, often with horn, rather than cone designs. What I didn’t expect was that most of these guys (yes, almost 100% guys) are balding (I’m one to talk ;), 40-60 year old electrical engineering dweebs. What a bunch of out-of-shape duck-footed geeks. As baald said, “This gathering is a good argument for a life-long workout routine.” Indeed. Anyway, lots of electrical schematics on chalkboards, etc., all of that stuff is outside my realm of exposure, thus over my head. But damn, some beautiful sounding equipment…
I think that part of what really appeals to me about Bjork is that she is at once so precise and so wild and unchained. I can’t think of another contemporary artist that can do both of those things at once so well, or so uniquely.